Author: Ben Robins


  • Review: The Neon Demon

    Former Film Editor Ben takes a closer look at Nicolas Winding Refn’s latest arty treat, in his final review.

  • Review: The Do-Over

    Adam Sandler’s latest Netflix project is an expected mess, says Film Editor Ben Robins.

  • Blu-ray Review: Bride of Re-Animator

    This wickedly-funny 80s sequel is a total treat for horror fans the world over, says Film Editor Ben Robins.

  • First Look Review: Midnight Special

    Jeff Nichols’ latest offering is ‘audacious and encouraging filmmaking’.

  • Intro to: The Punisher

    With Daredevil Season 2 just around the corner, film editor Ben introduces the show’s most exciting newcomer, The Punisher.

  • Review: London Has Fallen

    The unexpected sequel to Antoine Fuqua’s 2013 hit is a little lopsided, says Film Editor Ben.

  • Blu-ray Review: Deathgasm

    Jason Lei Howden’s debut is a wickedly funny treat, says Film Editor Ben.

  • Review: Nina Forever

    Film Editor Ben takes on the Blaine brothers’ debut feature, what is likely to be one of the strangest romance movies of 2016.

  • Review: Adele – ‘When We Were Young’

    Adele’s ‘When We Were Young’ is a “beautifully understated exploration of nostalgia.” Film Editor Ben reviews.

  • Review: 13 Hours: The Secret Soldiers of Benghazi

    Michael Bay’s latest robot-less effort is a bit of a tactless mess, says Film Editor Ben.

  • Review: Everything Will Be Okay

    Film Editor Ben tackles the Cannes-favourite short from new director Patrick Vollrath.

  • Blu-ray Review: Shelter

    Paul Bettany’s directorial debut isn’t quite up to scratch, says Film Editor Ben.

  • The Edge’s Top 10 Films of 2015

    The Edge’s top ten films of the year has finally been revealed – but who took the top spot?

  • The Edge’s Advent Calendar: Die Hard is most definitely a Christmas film – and here’s why

    Non-believers and Scrooges of the world take note: not only is John McTiernan’s 1988 gun-toting masterpiece Die Hard one of the best action movies ever made, it’s also quite possibly one of the most misunderstood Christmas films around too. True, it may not feature Santa or Rudolph or anything more vaguely festive than the occasional […]