Review: Phoebe Bridgers – Punisher
Faye Williamson gives her opinion on Phoebe Bridgers’ most recent moody LP, ‘Punisher’
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Review: Phoebe Bridgers – ‘I See You’
Phoebe Bridgers gets deep with her newest song
‘Fearless, hopeful, surrendered’: In conversation with Benjamin Francis Leftwich
A week after the release of his newest project Some Things Break, and with tour…
boygenius – ‘$20’, ‘Emily I’m Sorry’ & ‘True Blue’ singles review: promising a lot through their quality and diversity
Charlie Burgess is anticipating the debut album from boygenius!
The Best Final Tracks of Albums
The best tracks that wrap up albums!
The 1975 – ‘I’m In Love With You’ single review: make no mistake, this is The 1975 at their very best
Callum Joynes is more than just ‘in love with’ The 1975’s new single.
BROCKHAMPTON – ‘Hollywood Swinging’ single review: a funky and well executed commission
Michal Delost is grooving away to BROCKHAMPTON’s new release from the ‘Minions: The Rise of Gru’ soundtrack.
‘Truly accomplished in every shape and form’: A Review of Lizzy McAlpine’s ‘five seconds flat’
Editor Sam Pegg indulges in the soothing new album from Lizzy McAlpine.
The Edge’s Top Albums of 2021
This year, artists have proven more than ever what music means to us in the 21st century.
‘Relevant and relatable nine years on’: A Review of Taylor Swift’s Red (Taylor’s Version)
Charlie Burgess finds Red to be just as brilliant as it was on its first release.
What We’re Listening To: October
Our writers give us an insight into what they’ve been listening to over the past month.
Review: The Killers – Pressure Machine
Harry Geeves thinks that Pressure Machine is The Killers’ best album in years.
This Week In Records – Lorde, Kurupt FM and Remi Wolf
This week in records ranges from the serious to the not-so-serious.
Review: Lorde – ‘Solar Power’
Connie Seamer basks in the summertime glory of Lorde’s return.