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Harry Greeves is disappointed with Lizzo’s follow-up to ‘About Damn Time’.
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Deputy Editor Harry Geeves enjoys a loud night at The Loft!
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No Kite himself, Harry Geeves, reviews the latest outing to Gotham City.
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Ahead of No Way Home, Harry Geeves dusts the cobwebs off TASM 2 and finds some positives.
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In a new series, Harry Geeves shines a light on a great film that feels overlooked for its genre, Contact.
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Lin-Manuel Miranda’s directorial debut is “inventively structured” according to Harry Geeves.
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Deputy Editor Harry Geeves praises the ruminating bitterness in Lizzy McAlpine’s new single.
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Harry and Sam tell us who they think you should see live!
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Our writers give us an insight into what they’ve been listening to over the past month.
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It’s been 3 long years since Punch Brothers released a record, and longer still since their 2015 pièce de résistance The Phosphorescent Blues, an arrestingly creative take on experimental bluegrass and a personal favourite of mine. Led by Chris Thile, as effervescent a player as ever, the group now set their sights on a covers […]
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Singing about the 90s feels a little played out, says Harry Geeves.
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Harry Geeves thinks that Pressure Machine is The Killers’ best album in years.
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Harry Geeves weighs in on the upcoming slate of Star Wars spinoff films.
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Harry Geeves finds James Blake’s new track to be reason to get excited for his upcoming album.